Leonhard Helten, Around 1300. New Forms of Representation in Church Architecture, p. 5
Filip Merski, Tremor Rei Vise. The Implied Observed in Robert Grosseteste’s Wrtings and the Thirteenth- Century English Architecture , p. 23
Tomasz Ratajczak, Polish Art History and Castelology, s. 55
Aleksandra Idzior, Imagination with no Limits: the Frontier in the Soviet and American Projects of a “Future City” at the End of the 1920s, p. 71
Filip Lipiński, Visual-Discursvie Transformations of the View of Lower Manhattan, p. 99
Piotr Piotrowski, The Global NETwork. An Introduction to Comparative Art History, p. 139
Mariusz Bryl, Creation – Analogy. On Michael Brötje Alternative Art History, p. 177
Michael Brötje, Johannes Veermer, “The Art of Painting”. On the Painter’s Incompleteness and Completeness of a Work of Art (Translated by Michał Haake), p. 209
Daniela Bohde, Kunstgeschichte als Physionomische Wissenschaft. Kritik einer Denkfigur der 1920er bis 1940er Jahre (rec. Maciej Jarzewicz), p. 255
Abstracts and Information about Author’s Afiliation p. 261
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