Maria Poprzęcka, “Truth”, “fiction”, imagination, p. 7
Mariusz Bryl, Art history as a place of resistance, p. 29
Ryszard Kasperowicz, Art history and disciples at Sais. On relations of art history and history of ideas, p. 43
Piotr Piotrowski, On horizontal art history, p. 59
Andrzej Turowski, The phenomenon of vagueness, p. 75
Agata Jakubowska, Feminism and modern art history, p. 103
Wojciech Włodarczyk, Illusions of modernity, p. 115
Piotr Juszkiewicz, The shade of modernism, p. 129
Michał Haake, Picture in the circle of understanding, p. 141
Anna Markowska, Between ergon and parergon – dissipation of meanings, control and the phantom of intentions, p. 171
Jarosław Jarzewicz, Ultimely Too late reflections after “the end of art history”, p. 197
Jan Skuratowicz, Tadeusz J. Żuchowski, Considerations on the first commandment, p. 215
Wojciech Bałus, Józefa Mehoffer’s protrait of Konstant Laszczka in a studio or on the limits of “factology”, p. 231
Wojciech Suchocki, Too easy. A memory of art according to the Poet, p. 249
