2017

Katarzyna Bartosiak, Iconography of the Poznań miracle of three hosts
(Supervisor: prof. UAM dr hab. Jacek Kowalski)

Anna Filar, Pleasure and War. Collision of everyday life with military conflict in the Middle East in the works of Shadi Ghadirian, Gohar Dashti and Tanya Habjouqa
(Supervisor: prof. UAM dr hab. Agata Jakubowska)

Adam Glabas, Playing with art and politics. The works and visual strategies of twentieth century social movements
(Supervisor: prof. UAM dr hab. Agata Jakubowska)

Kinga Gołda, Furniture in ancient Egypt and their iconography
(Supervisor: prof. UAM dr hab. Tomasz Wujewski)

Adrianna Kaczmarek, The Self-portrait Prints by Konstanty Brandel (1880-1970) – Some Issues of Workshop and Form
(Supervisor: prof. dr hab. Tadeusz J. Żuchowski) 

Sławomira Kaliska, The picturesque and urban picturesque in artistic theory and practice in Great Britain, XVIII-XIX century
(Supervisor: prof. UAM dr hab. Stanisław Czekalski)

Barbara Kokot, Representation of the aristocratic culture in Olga Boznańska’s portraits
(Supervisor: prof. UAM dr hab. Agata Jakubowska)

Arkadiusz Krawczyk, The Art by Marcin Rożek in Comparison to Calssical and Renaissance Tradition
(Promotor pracy: prof. dr hab. Tadeusz J. Żuchowski)

Dagmara Książkiewicz, Museum of the History of Polish Jews as site of memory
(Supervisor: prof. UAM dr hab. Agata Jakubowska)

Anna Kunsztowicz-Piasecka, Pin-up girl: genesis, typology and specifity of pictures. Case study of Gil Elvgren’s work.
 (Supervisor: prof. UAM dr hab. Stanisław Czekalski)

Anastazja Musielak, The 19th Century Garden at Aristocracy Residencies in Kórnik and Rogalin
(Supervisor: prof. dr hab. Tadeusz J. Żuchowski) 

Agata Pawliczak, The Motif of Death in Polish Illustrations of H. C. Andersen’s Fairy Tales [1950-2012]
(Supervisor: prof. UAM dr hab. Piotr Juszkiewicz)

Łukasz Rozmarynowski, Painting as a record of scientific idea. Leon Chwistek’s synthesis of science and art
(Supervisor: prof. UAM dr hab. Piotr Juszkiewicz)

Aleksandra Stempińska, The cemetery landscapes in Polish paintings of the second half of the 19th century
(Supervisor: prof. UAM dr hab. Wojciech Suchocki)

Maja Sypniewska, Crucifix from the Cistercian church in Ołobok: genesis, dating, meaning
(Supervisor: prof. zw. dr hab. Adam Labuda)

Barbara Wawrzyniak, Diversity of resemblances or resemblance of diversities? A case study of postwar Japanese and American cinema based on Akira Kurosawa’s Rashomon, Orson Welles’ Citizen Kane, Yasujiro Ozu’s Tokyo Story and Robert Altman’s Nashville
(Supervisor: prof. UAM dr hab. Piotr Juszkiewicz)

Patrycja Waśkowiak, The history of the furnishings of the Collegiate Church of St. Peter and St. Paul in Kruszwica
(Supervisor: prof. UAM dr hab. Jacek Kowalski)

Karolina Wilczyńska, Trying to Fulfil the Political Promise. The Hackney Flashers and British Socially Engaged Art in the 1970s
(Supervisor: prof. UAM dr hab. Agata Jakubowska)

Hanna Wróbel, ‘On a Truly European Scale’ – about the Architecture of the Health Resort of Inowroclaw, Poland
(Supervisor: prof. UAM dr hab. Piotr Korduba)

Anna Zielazny, Between socialism and capitalism – woman’s body in the art of Sanja Iveković, Orshi Drozdik and Eglė Rakauskaitė
(Supervisor: prof. UAM dr hab. Agata Jakubowska)