{"id":2447,"date":"2022-08-16T14:45:42","date_gmt":"2022-08-16T12:45:42","guid":{"rendered":"https:\/\/arthist.amu.edu.pl\/en\/?page_id=2447"},"modified":"2024-10-30T14:27:27","modified_gmt":"2024-10-30T13:27:27","slug":"issues-2016-2020","status":"publish","type":"page","link":"https:\/\/arthist.amu.edu.pl\/en\/issues-2016-2020\/","title":{"rendered":"Issues 2016 – 2020"},"content":{"rendered":"\n
\n
1979 \u2013 1989<\/a><\/div>\n\n\n\n
1990 \u2013 2000<\/a><\/div>\n\n\n\n
2001 \u2013 2005<\/a><\/div>\n\n\n\n
2006 \u2013 2010<\/a><\/div>\n\n\n\n
2011 \u2013 2015<\/a><\/div>\n\n\n\n
2016 \u2013 2020<\/a><\/div>\n\n\n\n
2021 \u2013 2024<\/a><\/div>\n<\/div>\n\n\n\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\n\t\t\"\"\t<\/a>\n<\/div>\n

\n\tArtium Quaestiones XXVII<\/a>\n<\/h3>\n\n\t
\n\t\tARTICLES Adam So\u0107ko, Heraldic Programs in the Decorations of Parish Churches in Kra\u015bnik and Chodel, s. 5 Agnieszka Zab\u0142ocka-Kos, Architecture and Urban Planning in the Partitioned Poland of the 19th…\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\n\t\t\"\"\t<\/a>\n<\/div>\n

\n\tArtium Quaestiones XXVIII<\/a>\n<\/h3>\n\n\t
\n\t\tTHEORETICAL-HISTORICAL PERSPECTIVES OF PHOTOGRAPHY Stanis\u0142aw Czekalski, The Talbotian Paradigm of Visuality of Photography, p. 5 Dorota \u0141uczak, The New Vision \u2013 Astrological and Astronomical Aspects of the Photographic Vision, p.…\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\n\t\t\"\"\t<\/a>\n<\/div>\n

\n\tArtium Quaestiones XXIX<\/a>\n<\/h3>\n\n\t
\n\t\tA WORK OF ART AS A THING Charlotta Krisspinson, Temptation, Resistance, and Art Objects: On the Lack of Material Theory Within Art History Before the Material Turn, p. 5 Vera…\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\n\t\t\"\"\t<\/a>\n<\/div>\n

\n\tArtium Quaestiones XXX<\/a>\n<\/h3>\n\n\t
\n\t\tTURNING POINTS: HISTORIES OF ART HISTORY IN POLAND AND EUROPE Piotr Korduba, Editor\u2019s Note, s. 5 Piotr Skubiszewski, Turning points: Histores of Art History in Poland and Europe, Facing the…\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\n\t\t\"\"\t<\/a>\n<\/div>\n

\n\tArtium Quaestiones XXXI<\/a>\n<\/h3>\n\n\t
\n\t\tTHE CINEMATIC TURN IN ART PRACTICE AND THEORY Filip Lipi\u0144ski, Cinematic Art (History) and Mieke Bal\u2019s Thinking in Film, s. 5 Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and…\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n","protected":false},"excerpt":{"rendered":"\"\"<\/a>

THE CINEMATIC TURN IN ART PRACTICE AND THEORY<\/strong><\/p>\n

Filip Lipi\u0144ski, Cinematic Art (History) and Mieke Bal\u2019s Thinking in Film, s. 5<\/p>\n

Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and Affect in Mieke Bal\u2019s Exhibition \u201cMadame B.\u201c, s. 39<\/p>\n

Fran\u00e7ois Bovier, Tony Morgan\u2019s Performative Cinema in the Age of the \u201cCinematic Turn\u201d: \u201cRelational Films\u201d (1969\u20131970), \u201cStructural Films\u201d (1969\u20131971) and Produkt Cinema (1971), s. 67<\/p>\n

Piotr\u00a0 Zawojski, Photography and Film in Artistic Practice and Theoretical Propositions of David Hockney, s. 101<\/p>\n

Wojciech Brillowski, \u201cTreasures from the Wreck of the Unbelievable\u201c \u2013 Archeology as an Element of Damien Hirst\u2019s Artistic Strategy, s. 123<\/p>\n

Ewa W\u00f3jtowicz, Media Library Babel. YouTube as a Subject, Formal Frame and Art Platform, s. 171<\/p>\n

Angela Dalle Vacche, Andr\u00e9 Bazin\u2019s Film Theory: Art, Science, Religion, s. 191<\/p>\n

COMMENTARIES<\/strong><\/p>\n

\u0141ukasz Ronduda, Feature Film as a Curator\u2019s and Art Historian\u2019s Tool, s. 209<\/p>\n

TRANSLATIONS<\/strong><\/p>\n

Fran\u00e7ois Albera, Film Studies and History of Art, s. 237<\/p>\n

Mieke Bal, Movement: the Cinematic in Painting and Literature, s. 277<\/p>\n

VARIA<\/strong><\/p>\n

Albert\u00a0 Boesten-Stengel, Leonardo\u2019s da Vinci Turn in \u201cThe Battle of Anghiari\u201c. Poetics and Genetic Criticism of the Preparative Sketches, s. 313<\/p>\n

Mariusz\u00a0 Bryl, Artur Grottger\u2019s Painting \u201cThe Bar Confederates Pray Before the Battle\u201c (of Lanckorona?): History, Literature, Vision, s. 369<\/p>\n

\u0141ukasz\u00a0\u00a0 Rozmarynowski, Multifarious Space of Abstraction. A Category of Spatiality in the Works of Wojciech Fangor, Jerzy Grabowski and Ryszard Winiarski \u2013 a Comparative Study, s. 401<\/p>\n

BIOGRAPHICAL NOTES,<\/strong> s. 437<\/p>\n

Electronic version \u2013 PRESSto<\/strong><\/a><\/h4>\n

 <\/p>\n

 <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2447","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/2447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=2447"}],"version-history":[{"count":6,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/2447\/revisions"}],"predecessor-version":[{"id":2657,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/2447\/revisions\/2657"}],"wp:attachment":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=2447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}