{"id":647,"date":"2021-11-25T12:38:48","date_gmt":"2021-11-25T11:38:48","guid":{"rendered":"https:\/\/muzykolo.web.amu.edu.pl\/?page_id=647"},"modified":"2022-08-17T10:55:38","modified_gmt":"2022-08-17T08:55:38","slug":"doctoral-dissertations","status":"publish","type":"page","link":"https:\/\/arthist.amu.edu.pl\/en\/doctoral-dissertations\/","title":{"rendered":"Doctoral dissertations"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthist.amu.edu.pl\/wp-content\/uploads\/sites\/2\/2022\/08\/owl-Frederick-II-De-arte-venandi-cum-avibus-Bruges-ca.-1485-1490.jpg\" alt=\"\" class=\"wp-image-1393\" width=\"587\" height=\"585\" srcset=\"https:\/\/arthist.amu.edu.pl\/en\/wp-content\/uploads\/sites\/2\/2022\/08\/owl-Frederick-II-De-arte-venandi-cum-avibus-Bruges-ca.-1485-1490.jpg 782w, https:\/\/arthist.amu.edu.pl\/en\/wp-content\/uploads\/sites\/2\/2022\/08\/owl-Frederick-II-De-arte-venandi-cum-avibus-Bruges-ca.-1485-1490-300x300.jpg 300w, https:\/\/arthist.amu.edu.pl\/en\/wp-content\/uploads\/sites\/2\/2022\/08\/owl-Frederick-II-De-arte-venandi-cum-avibus-Bruges-ca.-1485-1490-150x150.jpg 150w, https:\/\/arthist.amu.edu.pl\/en\/wp-content\/uploads\/sites\/2\/2022\/08\/owl-Frederick-II-De-arte-venandi-cum-avibus-Bruges-ca.-1485-1490-768x766.jpg 768w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/figure>\n\n\n\n<p><strong>2018<\/strong><br>Ewelina Jarosz, Figury nieprzedstawialnego. Ponowoczesny model recepcji malarstwa barwnego pola<br>Supervisor: prof. dr hab. Anna Markowska Instytut Historii Sztuki Uniwersytetu Wroc\u0142awskiego<\/p>\n\n\n\n<p><strong>2017<\/strong><br>Dorota Moli\u0144ska<br>Les Arts en Portugal -badania Atanazego hr.Raczy\u0144skiego nad sztuk\u0105 Portugalii<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p><strong>2015<\/strong><br>Agnieszka Gryska, The Case of certain text or Adolf Loos\u2019s Ornament and Crime in architectural discourse between 1910 and 1975<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Dorota \u0141uczak, The Photographic Vision in the context of Western tradition of ocularcentrism: The practise and theory of European and American artists in the I part of the XX c<br>Supervisor: prof. UAM dr hab. Piotr Juszkiewicz<\/p>\n\n\n\n<p>Emilia Kiecko, The future that is to be built. Futurology and architecture in the Polish People\u2019s Republic<br>Supervisor: prof. UAM dr hab. Piotr Juszkiewicz<\/p>\n\n\n\n<p><strong>2013<\/strong><br>Jakub D\u0105browski, The Freedom of Artistic Expression in Poland after 1989<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Kamila K\u0142udkiewicz, The choice and necessity. Collections of Polish aristocracy in Great Poland on the turn of 19th and 20th century<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Aleksandra Parandowska, Against illness. Theory and practice of hospital architecture in Wielkopolska 1919-1939<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p><strong>2012<\/strong><br>Katarzyna Kleiber, Iranian Art and Persian Ancient Archaeology in the Pahlavi State, 1925-1979<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Magdalena Kamczycka-Maciudzi\u0144sa, The Jews and Judaism in the mirror of ancient art<br>Supervisor: prof. UAM dr hab. Tomasz Wujewski<\/p>\n\n\n\n<p>Magdalena Moskalewicz, On the edge of painting.The post-painterly artworks in the Polish 1960\u2019s art&nbsp;<br>Supervisor: prof. UAM dr hab. Piotr Juszkiewicz<\/p>\n\n\n\n<p><strong>2011<\/strong><br>Barbara Perucka, \u2018Livre des merveilles\u2019. A Burgundian vision of Orient in late Middle Ages in the illuminations<br>Supervisor: prof. zw. dr hab. Szcz\u0119sny Skibi\u0144ski<\/p>\n\n\n\n<p><strong>2010<\/strong><br>Olaf Kwapis, All Roads Lead to Rome. Art in the Service of Grand Jubilees \u2013 from Boniface VIII to Gregory XIII<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Filip Lipi\u0144ski, The Virtual Hopper. Images in a Remembering Look&nbsp;<br>Supervisor: prof. UAM dr hab. Wojciech Suchocki<\/p>\n\n\n\n<p><strong>2009<\/strong><br>Ma\u0142gorzata Dawidek-Gryglicka Text as a Work of Art in Poland After 1967. Context and\/or the Autonomy of a Visual Sign<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Artur Kamczycki, Theodor Herzl and the Zionists Iconography till 1933<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Szymon Kubiak, Architecture and Urban Planning in Poznan 1919-1939<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowsk<\/p>\n\n\n\n<p>Diana Wasilewska, On the Way Towards Modernity? Transformations of Aesthetic and Linguistic Awareness in the Polish Art Criticism Between 1917-1930<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p><strong>2008<\/strong><br>Artur Kolbiarz, Maciej Knote \u2013 Baroque sculptor in Silesian and His Workshop<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Magdalena Radomska, Politics of Hungarian Neo-Avantgarde, 1966-1980<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p><strong>2007<\/strong><br>Jiwone Lee, Polish School of Illustrators of Children\u2019s Books<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Micha\u0142 Mencfel, Naturae et Artis Thesaurus. Cabinets of Curiosities, Collections of Art and Natural History in Silesia in 17th and 18th Century<br>Supervisor: prof. zw. dr hab. Adam Labuda<\/p>\n\n\n\n<p>Tomasz Ratajczak, Master Benedict, the Royal Architect of Sigismund I the Old<br>Supervisor: prof. zw. dr hab. Szcz\u0119sny Skibi\u0144ski<\/p>\n\n\n\n<p><strong>2006<\/strong><br>Agnieszka Skalska-Graczyk, The Image of the Enemy in the Press Drawings of March 1968<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Arkadiusz Wagner, Sculptor workshop of Christiana Bernard Schmidt (1735-1785)<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p><strong>2005<\/strong><br>Marcin Szel\u0105g, Public, Country-wide Collections of Modern and Contemporary Polish Art after 1945<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p><strong>2004<\/strong><br>Piotr Bernatowicz, Reception of Pablo Picasso in the Central East European Countries, 1945-1970<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Piotr Korduba, Gdansk Patrician House from a Period of Renaissance and Baroque.<br>Supervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski<\/p>\n\n\n\n<p>Adam So\u0107ko, Gallery Systems as a Realization of Idea of Elevation in the Architecture of Teutonic Order State<br>Supervisor: prof. zw. dr hab. Szcz\u0119sny Skibi\u0144ski<\/p>\n\n\n\n<p>Maciej Szymanowicz, The Position of Pictorial Photography in the Polish Photography of the Inter-war Period<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p><strong>2003<\/strong><br>Paulina Cynalewska-Kuczma, Eastern Orthodox Church in Kingdom of Poland as integration instrument with Russian Empire<br>Supervisor: prof. zw. dr hab. Konstanty Kalinowski<\/p>\n\n\n\n<p>Daria Ko\u0142acka, The Hermeneutics of the Portrait. Reading Alberto Giacometti Works<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>Rafa\u0142 Maka\u0142a, Between province and metropolis: Szczecin\u2019s architecture in the years 1891-1918<br>Supervisor: prof. zw. dr hab. Jan Skuratowicz<\/p>\n\n\n\n<p>Marta Smoli\u0144ska, Young Mehoffer<br>Supervisor: prof. UAM dr hab. Wojciech Suchocki<\/p>\n\n\n\n<p><strong>2002<\/strong><br>Micha\u0142 Haake, The Portrait in the Polish Painting on the Threshold of the Modernity&nbsp;<br>Supervisor: prof. UAM dr hab. Wojciech Suchocki<\/p>\n\n\n\n<p><strong>2001<\/strong><br>Izabela Kowalczyk, Body and Power in Contemporary Polish Art&nbsp;<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p>\u0141ukasz Kiepuszewski, C\u00e9zanne\u2019s Paintings. Between gaze and commentary<br>Supervisor: prof. UAM dr hab. Wojciech Suchocki<\/p>\n\n\n\n<p><strong>2000<\/strong><br>Maciej Broniewski, Baroque Organ-case in \u201cGnadenkirche\u201d in Jelenia G\u00f3ra. The Work of Art in Context of Religious and Political Conflicts<br>Supervisor: prof. zw. dr hab. Konstanty Kalinowski<\/p>\n\n\n\n<p>Pawe\u0142 Leszkowicz, Helen Chadwick. Ikonography of Subjectivity<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p><strong>1999<\/strong><br>Agata Jakubowska, Female Body in Contemporary Polish Women\u2019s Art<br>Supervisor: prof. zw. dr hab. Piotr Piotrowski<\/p>\n\n\n\n<p><strong>1998<\/strong><br>Jacek Kowalski, Architectural Themes in the Old French Literature in the Second Half of XII Century&nbsp;<br>Supervisor: prof. zw. dr hab. Szcz\u0119sny Skibi\u0144ski<\/p>\n\n\n\n<p>Wies\u0142aw Rz\u0105dek, Eurasian Animal Style and the Art of Ancient China&nbsp;<br>Supervisor: prof. zw. dr hab. Jerzy Kubczak<\/p>\n\n\n\n<p><strong>1997<\/strong><br>Natalia Czekalska, Kamieniecki\u2019s pontifical. Miniature codex<br>Supervisor: prof. zw. dr hab. Alicja Kar\u0142owska-Kamzowa<\/p>\n\n\n\n<p>Liliana Krantz-Domas\u0142owska, Gothic architecture of catherdral in Kwidzyn<br>Supervisor: prof. zw. dr hab. Alicja Kar\u0142owska-Kamzowa<\/p>\n\n\n\n<p>Andrzej Wozi\u0144ski, Late gothic wood sculptures in East Pomerania<br>Supervisor: prof. zw. dr hab. Alicja Kar\u0142owska-Kamzowa<\/p>\n\n\n\n<p><strong>1995<\/strong><br>Iwona B\u0142aszczyk,&nbsp;Iconography and ideological evolution of trees theme in polish gothic art&nbsp;<br>Supervisor: prof. zw. dr hab. Alicja Kar\u0142owska-Kamzowa<\/p>\n\n\n\n<p>Stanis\u0142aw Czekalski,&nbsp;Polish Photomontage between The World Wars<br>Supervisor: prof. zw. dr hab. Konstanty Kalinowski<\/p>\n\n\n\n<p>Aleksander Jankowski, Late gothic wall paintings in Silesia<br>Supervisor: prof. zw. dr hab. Alicja Kar\u0142owska-Kamzowa<\/p>\n\n\n\n<p>Piotr Juszkiewicz, Freedom and metaphysics: on the artistic tradition of Marcel Duchamp<br>Supervisor: prof. zw. dr hab. Konstanty Kalinowski<\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2018Ewelina Jarosz, Figury nieprzedstawialnego. Ponowoczesny model recepcji malarstwa barwnego polaSupervisor: prof. dr hab. Anna Markowska Instytut Historii Sztuki Uniwersytetu Wroc\u0142awskiego 2017Dorota Moli\u0144skaLes Arts en Portugal -badania Atanazego hr.Raczy\u0144skiego nad sztuk\u0105 PortugaliiSupervisor: prof. zw. dr hab. Tadeusz J. \u017buchowski 2015Agnieszka Gryska, The Case of certain text or Adolf Loos\u2019s Ornament and Crime in architectural discourse between [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-647","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":34,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/647\/revisions"}],"predecessor-version":[{"id":2606,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/pages\/647\/revisions\/2606"}],"wp:attachment":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}