{"id":2625,"date":"2022-08-17T13:33:14","date_gmt":"2022-08-17T11:33:14","guid":{"rendered":"https:\/\/arthist.amu.edu.pl\/en\/?p=2625"},"modified":"2022-08-17T14:08:39","modified_gmt":"2022-08-17T12:08:39","slug":"artium-quaestiones-xxx","status":"publish","type":"post","link":"https:\/\/arthist.amu.edu.pl\/en\/2022\/08\/17\/artium-quaestiones-xxx\/","title":{"rendered":"Artium Quaestiones XXX"},"content":{"rendered":"\n

TURNING POINTS: HISTORIES OF ART HISTORY IN POLAND AND EUROPE<\/strong><\/p>\n\n\n\n

Piotr Korduba, Editor\u2019s Note, s. 5<\/p>\n\n\n\n

Piotr Skubiszewski, Turning points: Histores of Art History in Poland and Europe, Facing the Work of Art. Memories of My Student Years, s. 7<\/p>\n\n\n\n

Wojciech Ba\u0142us,Turning Points, Crises, Evolutions, s. 21<\/p>\n\n\n\n

Mariana Pinto dos Santos,On Belatedness. The Shaping of Portuguese Art History in Modern Times, s. 37<\/p>\n\n\n\n

Adam S. Labuda, \u201cA History of Polish Art\u201d by Micha\u0142 Walicki and Juliusz Starzy\u0144ski in Poland between the World Wars. The West, Poland, the East, s. 65<\/p>\n\n\n\n

Vlad \u0162oca, Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause, s. 93<\/p>\n\n\n\n

Christian Fuhrmeister, \u201c1945\u201d as a Turning Point in German Art History? Challenging the Paradigm of Rupture and Discontinuity, s. 123<\/p>\n\n\n\n

Anna Markowska, Around 1948: The \u201cGentle Revolution\u201d and Art History, s. 137

Katar\u00edna Kolbiarz Chmelinov\u00e1, University Art History in Slovakia after WWII and its Sovietization in 1950s, s. 161<\/p>\n\n\n\n

Ivana Mance, Towards the Theory of the Na\u00efve Art \u2013 Grgo Gamulin and the Understanding of Modernism, s. 191<\/p>\n\n\n\n

Krista Kodres, Toward a New Concept of Progressive Art: Art History in the Service of Modernisation in the Late Socialist Period. An Estonian Case, s. 211<\/p>\n\n\n\n

Milena Bartlov\u00e1, 1968: In Search of \u201cSocialism with Human Face\u201d in Czech Art. History, s. 225<\/p>\n\n\n\n

Maria Poprz\u0119cka, Enter the Dragon, s. 237

Andrzej Turowski, L\u2019Imagination au pouvoir : Art History in the Times of Crisis, 1960s \u2013 1970s, s. 243<\/p>\n\n\n\n

Wojciech W\u0142odarczyk, 1989. On the Concept of Modernism, s. 257<\/p>\n\n\n\n

Andrzej Turowski, Remarks on the Margin of Wojciech W\u0142odarczyk\u2019s Article \u201c1989. On the Concept of Modernism\u201d, s. 271<\/p>\n\n\n\n

Wojciech W\u0142odarczyk, Remarks on the \u201cMargin\u201d, s. 275<\/p>\n\n\n\n

Horst Bredekamp, Vom Berliner Schloss zum Humboldt Forum: ein Paradigma Deutscher Konfliktgeschichte, s. 279<\/p>\n\n\n\n

PRZE\u0141OMY: HISTORIE HISTORII SZTUKI W POLSCE I EUROPIE<\/strong><\/p>\n\n\n\n

Wyb\u00f3r tekst\u00f3w z sekcji tematycznej oryginalnie napisanych w j\u0119zyku polskim<\/p>\n\n\n\n

Piotr Korduba, Od Redaktora, s. 305<\/p>\n\n\n\n

Piotr Skubiszewski, Przed dzie\u0142em sztuki. Wspomnienia ze studi\u00f3w, s. 307<\/p>\n\n\n\n

Wojciech Ba\u0142us, Prze\u0142omy, kryzysy, ewolucje, s. 323
<\/p>\n\n\n\n

Adam S. Labuda, Micha\u0142a Walickiego i Juliusza Starzy\u0144skiego \u201eDzieje sztuki polskiej\u201d w II Rzeczypospolitej. Zach\u00f3d, Polska, Wsch\u00f3d, s. 339<\/p>\n\n\n\n

Anna Markowska, Wok\u00f3\u0142 roku 1948: \u201erewolucja \u0142agodna\u201d i historia sztuki, s. 367<\/p>\n\n\n\n

Maria Poprz\u0119cka, Wej\u015bcie smoka, s. 393<\/p>\n\n\n\n

Andrzej Turowski, L\u2019Imagination au pouvoir: historia sztuki w czasach kryzysu lat 60.\/70., s. 399<\/p>\n\n\n\n

Wojciech W\u0142odarczyk, Rok 1989 \u2013 wok\u00f3\u0142 poj\u0119cia modernizmu, s. 415<\/p>\n\n\n\n

Andrzej Turowski, Na marginesie artyku\u0142u Wojciecha W\u0142odarczyka \u201eRok 1989 \u2013 wok\u00f3\u0142 poj\u0119cia modernizmu\u201d, s. 429 
Wojciech W\u0142odarczyk, Uwagi do \u201emarginesu\u201d, s. 443<\/p>\n\n\n\n

PRZEK\u0141ADY<\/strong><\/p>\n\n\n\n

Horst Bredekamp, Od Zamku Berli\u0144skiego do Forum Humboldt\u00f3w: paradygmat konfliktu w niemieckiej historii 437. <\/p>\n\n\n\n

BIOS<\/strong>, s. 463<\/p>\n\n\n\n

Electronic version \u2013 PRESSto<\/a><\/strong><\/h4>\n","protected":false},"excerpt":{"rendered":"

TURNING POINTS: HISTORIES OF ART HISTORY IN POLAND AND EUROPE Piotr Korduba, Editor\u2019s Note, s. 5 Piotr Skubiszewski, Turning points: Histores of Art History in Poland and Europe, Facing the Work of Art. Memories of My Student Years, s. 7 Wojciech Ba\u0142us,Turning Points, Crises, Evolutions, s. 21 Mariana Pinto dos Santos,On Belatedness. The Shaping of […]<\/p>\n","protected":false},"author":2,"featured_media":2434,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artium-quaestiones"],"_links":{"self":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=2625"}],"version-history":[{"count":1,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2625\/revisions"}],"predecessor-version":[{"id":2626,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2625\/revisions\/2626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media\/2434"}],"wp:attachment":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=2625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/categories?post=2625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/tags?post=2625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}