{"id":2627,"date":"2022-08-17T13:34:13","date_gmt":"2022-08-17T11:34:13","guid":{"rendered":"https:\/\/arthist.amu.edu.pl\/en\/?p=2627"},"modified":"2022-08-17T14:08:29","modified_gmt":"2022-08-17T12:08:29","slug":"artium-quaestiones-xxxi","status":"publish","type":"post","link":"https:\/\/arthist.amu.edu.pl\/en\/2022\/08\/17\/artium-quaestiones-xxxi\/","title":{"rendered":"Artium Quaestiones XXXI"},"content":{"rendered":"\n<p><strong>THE CINEMATIC TURN IN ART PRACTICE AND THEORY<\/strong><\/p>\n\n\n\n<p>Filip Lipi\u0144ski, Cinematic Art (History) and Mieke Bal\u2019s Thinking in Film, s. 5<\/p>\n\n\n\n<p>Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and Affect in Mieke Bal\u2019s Exhibition \u201cMadame B.\u201c, s. 39<\/p>\n\n\n\n<p>Fran\u00e7ois Bovier, Tony Morgan\u2019s Performative Cinema in the Age of the \u201cCinematic Turn\u201d: \u201cRelational Films\u201d (1969\u20131970), \u201cStructural Films\u201d (1969\u20131971) and Produkt Cinema (1971), s. 67<\/p>\n\n\n\n<p>Piotr&nbsp; Zawojski, Photography and Film in Artistic Practice and Theoretical Propositions of David Hockney, s. 101<\/p>\n\n\n\n<p>Wojciech Brillowski, \u201cTreasures from the Wreck of the Unbelievable\u201c \u2013 Archeology as an Element of Damien Hirst\u2019s Artistic Strategy, s. 123<\/p>\n\n\n\n<p>Ewa W\u00f3jtowicz, Media Library Babel. YouTube as a Subject, Formal Frame and Art Platform, s. 171<\/p>\n\n\n\n<p>Angela Dalle Vacche, Andr\u00e9 Bazin\u2019s Film Theory: Art, Science, Religion, s. 191<\/p>\n\n\n\n<p><strong>COMMENTARIES<\/strong><\/p>\n\n\n\n<p>\u0141ukasz Ronduda, Feature Film as a Curator\u2019s and Art Historian\u2019s Tool, s. 209<\/p>\n\n\n\n<p><strong>TRANSLATIONS<\/strong><\/p>\n\n\n\n<p>Fran\u00e7ois Albera, Film Studies and History of Art, s. 237<\/p>\n\n\n\n<p>Mieke Bal, Movement: the Cinematic in Painting and Literature, s. 277<\/p>\n\n\n\n<p><strong>VARIA<\/strong><\/p>\n\n\n\n<p>Albert&nbsp; Boesten-Stengel, Leonardo\u2019s da Vinci Turn in \u201cThe Battle of Anghiari\u201c. Poetics and Genetic Criticism of the Preparative Sketches, s. 313<\/p>\n\n\n\n<p>Mariusz&nbsp; Bryl, Artur Grottger\u2019s Painting \u201cThe Bar Confederates Pray Before the Battle\u201c (of Lanckorona?): History, Literature, Vision, s. 369<\/p>\n\n\n\n<p>\u0141ukasz&nbsp;&nbsp; Rozmarynowski, Multifarious Space of Abstraction. A Category of Spatiality in the Works of Wojciech Fangor, Jerzy Grabowski and Ryszard Winiarski \u2013 a Comparative Study, s. 401<\/p>\n\n\n\n<p><strong>BIOGRAPHICAL NOTES,<\/strong> s. 437<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/pressto.amu.edu.pl\/index.php\/aq\/issue\/view\/1744\"><strong>Electronic version \u2013 PRESSto<\/strong><\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>THE CINEMATIC TURN IN ART PRACTICE AND THEORY Filip Lipi\u0144ski, Cinematic Art (History) and Mieke Bal\u2019s Thinking in Film, s. 5 Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and Affect in Mieke Bal\u2019s Exhibition \u201cMadame B.\u201c, s. 39 Fran\u00e7ois Bovier, Tony Morgan\u2019s Performative Cinema in the Age of the \u201cCinematic Turn\u201d: \u201cRelational Films\u201d (1969\u20131970), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artium-quaestiones"],"_links":{"self":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=2627"}],"version-history":[{"count":1,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2627\/revisions"}],"predecessor-version":[{"id":2628,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2627\/revisions\/2628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media\/2436"}],"wp:attachment":[{"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=2627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/categories?post=2627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthist.amu.edu.pl\/en\/wp-json\/wp\/v2\/tags?post=2627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}