Date of publication on the site: 17 august 2022.
Artium Quaestiones XXXI
THE CINEMATIC TURN IN ART PRACTICE AND THEORY
Filip Lipiński, Cinematic Art (History) and Mieke Bal’s Thinking in Film, s. 5
Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and Affect in Mieke Bal’s Exhibition “Madame B.“, s. 39
François Bovier, Tony Morgan’s Performative Cinema in the Age of the “Cinematic Turn”: “Relational Films” (1969–1970), “Structural Films” (1969–1971) and Produkt Cinema (1971), s. 67
Piotr Zawojski, Photography and Film in Artistic Practice and Theoretical Propositions of David Hockney, s. 101
Wojciech Brillowski, “Treasures from the Wreck of the Unbelievable“ – Archeology as an Element of Damien Hirst’s Artistic Strategy, s. 123
Ewa Wójtowicz, Media Library Babel. YouTube as a Subject, Formal Frame and Art Platform, s. 171
Angela Dalle Vacche, André Bazin’s Film Theory: Art, Science, Religion, s. 191
COMMENTARIES
Łukasz Ronduda, Feature Film as a Curator’s and Art Historian’s Tool, s. 209
TRANSLATIONS
François Albera, Film Studies and History of Art, s. 237
Mieke Bal, Movement: the Cinematic in Painting and Literature, s. 277
VARIA
Albert Boesten-Stengel, Leonardo’s da Vinci Turn in “The Battle of Anghiari“. Poetics and Genetic Criticism of the Preparative Sketches, s. 313
Mariusz Bryl, Artur Grottger’s Painting “The Bar Confederates Pray Before the Battle“ (of Lanckorona?): History, Literature, Vision, s. 369
Łukasz Rozmarynowski, Multifarious Space of Abstraction. A Category of Spatiality in the Works of Wojciech Fangor, Jerzy Grabowski and Ryszard Winiarski – a Comparative Study, s. 401
BIOGRAPHICAL NOTES, s. 437