Adam Soćko, Heraldic Programs in the Decorations of Parish Churches in Kraśnik and Chodel, s. 5
Agnieszka Zabłocka-Kos, Architecture and Urban Planning in the Partitioned Poland of the 19th Century in Political Context, s. 29
Kilian Heck, Making What’s Hardly Visible More Visible. On the So-called Faraglioni Painting by Carl Blechen from the National Museum in Poznań, s. 57
Łukasz Kiepuszewski, Three Approaches to Paintings. Pierre Bonnard and the Deley of Perception, s. 67
Marcel Skierski, The Art of Alina Szapocznikow and Existential Hermeneutics, s. 93
Marta Smolińska, The Painterly Dermatology: A Painting of the Skin and the Skin of Painting, s. 129
Ivan Gerát, Marian Zervan, Images, media and idols. (An explanation of Štefan Papčo’s work „Citizens”), s. 171
Maria Jankowska-Andrzejewska, Painting of the Matter in Poland – on the Margins of the “Thaw” Modernity, s. 197
Rudolf Berliner, The Freedom of medieval art (Translated by Filip Merski), s. 249
Robert Suckale, Rudolf Berliner and his contribution to the understanding of Christian imagery (Translated by Michał Mencfel), s. 279
