Artium Quaestiones XXXI

THE CINEMATIC TURN IN ART PRACTICE AND THEORY

Filip Lipiński, Cinematic Art (History) and Mieke Bal’s Thinking in Film, s. 5

Agnieszka Rejniak-Majewska, Film as an Installation. Space, Narrative and Affect in Mieke Bal’s Exhibition “Madame B.“, s. 39

François Bovier, Tony Morgan’s Performative Cinema in the Age of the “Cinematic Turn”: “Relational Films” (1969–1970), “Structural Films” (1969–1971) and Produkt Cinema (1971), s. 67

Piotr  Zawojski, Photography and Film in Artistic Practice and Theoretical Propositions of David Hockney, s. 101

Wojciech Brillowski, “Treasures from the Wreck of the Unbelievable“ – Archeology as an Element of Damien Hirst’s Artistic Strategy, s. 123

Ewa Wójtowicz, Media Library Babel. YouTube as a Subject, Formal Frame and Art Platform, s. 171

Angela Dalle Vacche, André Bazin’s Film Theory: Art, Science, Religion, s. 191

COMMENTARIES

Łukasz Ronduda, Feature Film as a Curator’s and Art Historian’s Tool, s. 209

TRANSLATIONS

François Albera, Film Studies and History of Art, s. 237

Mieke Bal, Movement: the Cinematic in Painting and Literature, s. 277

VARIA

Albert  Boesten-Stengel, Leonardo’s da Vinci Turn in “The Battle of Anghiari“. Poetics and Genetic Criticism of the Preparative Sketches, s. 313

Mariusz  Bryl, Artur Grottger’s Painting “The Bar Confederates Pray Before the Battle“ (of Lanckorona?): History, Literature, Vision, s. 369

Łukasz   Rozmarynowski, Multifarious Space of Abstraction. A Category of Spatiality in the Works of Wojciech Fangor, Jerzy Grabowski and Ryszard Winiarski – a Comparative Study, s. 401

BIOGRAPHICAL NOTES, s. 437

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