Artium Quaestiones XXXII

DESIGN HISTORY AND THEORY

Piotr Korduba, Between a Monograph and Connoisseurship. Research on Polish Design in the 20th and Early 21st Centuries, s. 5

Ksenia Stanicka-Brzezicka, Design As an Attempt to Bring the Canon Back? Notions, Methods and Discourses in the Light of German and Silesian Design of the 1st Half of the 20th Century, s. 37

Amelie Ochs, The Paradigm of Good Form. Aesthetic Education and Design Historiographical Continuities in Germany, s. 67

Clemens A. Ottenhausen, From Textile to Plastic: Architecture, Exhibition Design, and Abstraction (1930–1955), s 89

Dorota Jędruch, A School in the Open Air – E. Baudoin’s and M. Lods’ Designs of Furniture for the School in Suresnes (1932–1935) in the Light of the Changes in Pedagogy and Interior Designs for Schools in France of 1920s and 1930s, s. 113

Anna Wiszniewska, “Five Million Children Are Waiting for New Toys...”. About the Design of Toys and the Organization of the Toy Industry in Poland in the 1950s and 1960s, s. 131

Agata Szydłowska, With no “Ludwik” nor Housemaid. Designs of the Modern Kitchen as a Mirror of the Changing Role of Women in “post-Thaw” Poland 161 Aleksandra Sumorok, Social Realism from the Inside. Design, the Art of the Interior and Modernization, s. 187

Ewa Klekot, Ethnodesign and Folk styles in Polish Design, s. 229

TRANSLATIONS

Grace Lees-Maffei, The Production-Consumption-Mediation Paradigm, s. 251

VARIA

Jakub Banasiak, “An Almost Perfect Position”. The Polish Artists’ Union and Political Changes, Economic Crisis, and Tensions in the Art Environment (1980–1981), s. 295

BIOGRAPHICAL NOTES, s. 329

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