Stanisław Czekalski, Kallimach und die Kirchenväter. Ein Betrag zur Untersuchung künstlerischer Herkunft des Epitaphs von Philip Buonaccorsi, p. 5
Michał Haake, The Individual in the Face of History: Portrait of History: Portrait of General Henryk Dembiński by Henryk Rodakowski, s. 25
Łukasz Kiepuszewski, The Physiology of Painting. Reception of the Matter of a Painting by Cézanne, p. 85
Marta Smolińska-Byczuk, Pope Leo I Before Attila, Commander of the Huns: A Trace of beginning, p. 127
Piotr Piotrowski, Critique of the Painting: Towards the Neo-Avantgarde in Central Europe in the 1960s, p. 161
Paweł Leszkowicz, Libidinal Allegories, p. 239
Marcin Szeląg, Museum Collections of Contemporary Polish Painting and Sculpture: A Comparitive Analysis of the Collections of the Museum of Art in Łódź, the National Museum in Wrocław, and the National Museum in Cracow , p. 295
T[imothy] J. Clark, God Is Not Cast Down (Transl. Stanisław Czekalski), p. 331
Mariusz Bryl, Remarks on the Occasion of the Recent Congress of German Art Historians ‘Was war Kunstgeschichte im 20. Jahrhundert?, p. 445
Stanisław Czekalski, Marxism, Modernism, Melancholy, p. 457
