Artium Quaestiones XX


Maria Poprzęcka, „Truth”, „fiction”, imagination, p. 7

Mariusz Bryl, Art history as a place of resistance, p. 29

Ryszard Kasperowicz, Art history and disciples at Sais. On relations of art history and history of ideas, p. 43 

Piotr Piotrowski, On horizontal art history, p. 59 

Andrzej Turowski, The phenomenon of vagueness, p. 75 

Agata Jakubowska, Feminism and modern art history, p. 103

Wojciech Włodarczyk, Illusions of modernity, p. 115

Piotr Juszkiewicz, The shade of modernism, p. 129 

Michał Haake, Picture in the circle of understanding, p. 141 

Anna Markowska, Between ergon and parergon – dissipation of meanings, control and the phantom of intentions, p. 171 

Jarosław Jarzewicz, Ultimely Too late reflections after „the end of art history”, p. 197 

Jan Skuratowicz, Tadeusz J. Żuchowski, Considerations on the first commandment, p. 215 

Wojciech Bałus, Józefa Mehoffer’s protrait of Konstant Laszczka in a studio or on the limits of „factology”, p. 231

Wojciech Suchocki, Too easy. A memory of art according to the Poet, p. 249