Artium Quaestiones XXII

Rev. Professor Szczęsny Dettloff (1878-1961) (Tadeusz J. Żuchowski), p. 5


Szczęsny Dettloff, Leonardo da Vinci und Veit Stoss. Zwei Welten des Kuenstlerischen Universalismus von der Wende des XV. yum XVI. Jahrhunderts, p. 21

Szczęsny Dettloff, Leonardo da Vinci and Veit Stoss: Two Worlds of the Artistic Universalism from the turn of the 16th Century, p. 51

Piotr Grzelczak, The „Dettloff” Case of 1953, p. 79 

Tedeusz J. Żuchowski, Ceremonial and Archiecture. The Origin of Papal Ceremonial and Is Influence upon Architecture, p. 101

Michał Haake, Backwater Art. On the Function of the Faun in the Painting of Jacek Malczewski, p. 125

Agnieszka Gryska, „Ornament and Crime” by Adolf Loos – the origin of the text and the myth, p. 169

Hanna Marciniak, The Poetics of Collage in Czech Surrealism. Karel Teige – Jindrich Styrsky – Jindrich Heisler, p. 193

Piotr Słodkowski, Particular Meanings of Modernity. The Visual Aspect of the First Exhibition of Modern Art (1948) with Reference to the „Exposition internationale du surrealisme” (1947), p. 237

Emilia Kiecko, International Exhibition of Inentional Architecture Terra-1, p. 271

Piotr Juszkiewicz, Hermeneutics of biography, p. 331


Michel Henry, To see the Invisible. About Kandinsky (translated by Dorota Molińska), p. 351


Jan Skuratowicz, Comments in the Margin of Andrzej Fischinger and Marcin Fabiański’s Book: History of the Construction of the Renaissance Wawel Castle, c. 1504-1548, Kraków 2009, p. 369

Abstracts, p. 379